Denim on Denim Crime
Performed By Debbie “Hayride” Harper & The Prairie Songbirds
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Lyrics: Denim on Denim Crime
Verse 1
Down at the County Line where the spurs play a tune, Boots hit the floor, under the light of the moon. He’s got his hat tipped, she’s got her jeans tight, Dancing so close, it’s a denim on denim crime.
Chorus
It’s denim on denim crime, Under neon lights, and we’re not wasting time. Two-stepping close, just you and I, It’s a perfect night for
denim on denim crime.
Verse 2
A whiff of cowboy cologne fills the air, Eau de Yeehaw, hands up if you dare. Hat’s off for the lady, watch that ceiling fan, We’re swirling around, doing the best that we can.
Bridge
Mismatched like a Dane and a Chihuahua in rhyme, But who cares when your steps perfectly chime? Old Joe and young Sue, proving age’s just a game, In the County Line light, everyone’s the same.
Chorus
It’s denim on denim crime, Under neon lights, we’re toeing the line. Two-stepping close, cheek to cheek, In our blue jean world, it’s the romance we seek.
Verse 3
The floor’s a traffic jam, signals all a mess, But in your arms, I couldn’t care less. The woo girl’s hollerin’, living her song, With each step and sway, we just sing along.
Outro
So, hold me closer, let’s commit that crime, In our denim on denim crime, lost in time. Neon lights above, and boots below, Let’s two-step the night, and never let go.
Tag
Under the neon glow, where the wild hearts roam, In Texas dancehalls, Denim on Denim Crime
What’s that I hear? Yawl howling at the moon?
That’s different…
Well…
Thank yawl for coming to town anyway….
The humor in the song “Denim on Denim Crime” wonderfully captures the lighthearted and playful atmosphere of a Texas dancehall, mixing the cultural nuances of country life with a cheeky commentary on dance and relationships. Here’s a breakdown of the comedic elements woven into the lyrics:
1. Title Puns and Wordplay
The title itself, “Denim on Denim Crime,” is a clever pun that immediately sets a humorous tone. It plays on the fashion faux pas known as “double denim,” humorously elevating it to the level of a “crime” in the context of a dancehall where everyone is probably wearing denim.
2. Cultural References
The song is ripe with cultural references that resonate with anyone familiar with country and western scenes. From the smell of “cowboy cologne” (a mix of leather and livestock) considered as an aphrodisiac to the notion of taking one’s hat off only for a lady or a particularly aggressive ceiling fan, these references create vivid and amusing images that add depth and fun to the listener’s experience.
3. Relatable Situations
Anyone who’s ever stepped into a dancehall will chuckle at the scenarios depicted, such as the “two-step traffic jams” where dancers with uncoordinated moves create a chaotic but humorous scene on the dance floor. The inclusion of “the woo girl,” who is there more for the vibes than the actual dancing, adds a universal touch of humor, recognizing that every party has one.
4. Characterization Through Dance
The song humorously characterizes people by their dancing styles, from beginners who resemble mismatched dogs (a Great Dane and a Chihuahua) trying to dance together, to seasoned pros who can two-step in their sleep. These exaggerated comparisons not only provide comic imagery but also celebrate the diversity and inclusivity found in dancehalls.
5. Playful Romantic Dynamics
“Dancing so close, it’s a denim delight” not only gives a nod to the intimacy of partner dancing but does so in a way that’s light-hearted and cheeky. The idea of committing a “denim on denim crime” serves as a playful metaphor for breaking social norms and enjoying the moment, no matter how silly it might seem.
6. Hyperbolic Expressions
The use of hyperbole, like claiming the necessity to dial down one’s dance speed or adjust the approach to partner interaction, exaggerates for comedic effect, emphasizing the silliness and spontaneity of dancehall interactions.
Overall, “Denim on Denim Crime” uses humor to celebrate the quirks and idiosyncrasies of dancehall culture, crafting a narrative that’s as entertaining as it is musically engaging. It’s a song that doesn’t take itself too seriously, inviting listeners to laugh, dance, and maybe commit a few “crimes” of fashion along the way. 
